Also known as “Der fliegende
Hollander”, this opera is by Wagner.
Okay, another Wagner opera, but I found this one fascinating because of
the staging and story.
The Flying Dutchman is
about a cursed sailor who is looking for a faithful woman who can break that
curse. Every seven years he is
able to go on land to search for this “hard to find” woman. Puhleeze, Wagner must have had some
bitter relationships to come up with this one.
He meets a captain who
has a daughter Senta, who is
mesmerized by this legend. She wants to be the faithful woman who
can break the curse, but is thwarted by a suitor who makes the Dutchman think
Senta is unfaithful. In the end,
she follows the Dutchman into the mist, not caring what her fate would be.
The set is austere and
stark, supposedly below the decks of a ship, yet gives the illusion of being in
a fortress.
As Max says, it wasn’t
Rigoletto. There are huge fans of
Wagner, but we find his operas too heavy, strident and demanding. Does that make sense?
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